THE LONELY CHILD Benjamin LONIEWSKI PRISON'S STORY Vincent Elbaz THE CHILDREN'S HOUR Eve-Chems de BROUWER WARSHA Dania BDEIR THE VAROU Marie HEYSE THE INSPECTION Fédéric BAS & Caroline BRAMI STUTTERER Olivier DUVAL AND I WANTED TO PUT MY FATHER IN A VAN Olivier Duval NECTAR Lucile HADZIHALIOVIC Menu

Menu MOHAMED / Sara OLACIREGUI Technical specs. Duration: 44 min Year: 2020 Genre: documentary Director : Sara Olaciregui Screenplay : Sara Olaciregui et Mohamed Bouakkaz Photography : Sara Olaciregui Sound : Sara Olaciregui, Paul Le Bret, Baptise Wanekeum, N’Dembo Ziavoula Editor : Myriam Aycaguer et Manon Falise Production: GoGoGo Films Financing : Région Ile-de-France, Région Nouvelle-Aquitaine film workout , Atelier résidence Un Jolie Mai, Dispositif Talents en court au Comedy Club, Bourse Tutorat de la SCAM, CICLIC. SYNOPSIS Synopsis Mohamed is in his early twenties. He likes cinema, theatre, and above all, words. Every week, he goes to the improvisation and film writing workshop in his neighborhood, LABEC. One day, he will be “somebody”, he's sure of that. For now, he writes and films his difficult daily life which he shares with me, while I, through my camera, offer my own vision of this young man in maturation. Putting his images and mine together, this chronicle will be an intimate account of his blossoming, one of an up-and-coming artist who seeks essentially to find his own voice and own language. This portrait is an offer to accompany Mohamed in this assertion, in his moments of doubts and anger, and in his moments of success. Sara Olaciregui Sara OLACIREGUI In 2006, after graduating in Numerical techniques and 2d animation, Sara olaciregui, started a career as an editor, and worked on Pile Poil which won the Cesar in 2020 for the best short film, among others. In 2020, she finished directing her first documentary, Mohamed, which won the Nouvelle Aquitaine Film Workout 2019. Sara currently works on the development of two projects, one of which has received the Brouillon d'un rêve award, of the SCAM 2019. She is also responsible for the image on the film 316 North Main directed by Sonia Ben Slama which is being shot in the United States. In parallel, she has joined in 2016 the LABEC association Plus loin, in which she still helps and teaches the young authors/directors in filming and editing films.

Menu SUSPENDED Myriam EL HAJJ journal du liban Technical specs. Year: 2021 Genre: Fiction Directed by: Myriam EL HAJJ Scenario: Myriam EL HAJJ Production: GoGoGo Films Co-production: Abbout Productions Films Funding: CNC, OIF, South Region, IMS, Doha Film Institute I N P R O D U C T I O N Synopsis Weapons, ballot boxes or the street. Georges, Joumana, Perla. Three intersecting destinies, three generations and the same desire to change a sick country: Lebanon. As crises follow one another inexorably, they find themselves faced with a dilemma: save the world or save themselves? SYNOPSIS Myriam EL HAJJ Myriam EL HAJJ Myriam el Hajj was born in 1983 in Beirut. She holds a Master's degree in Cinema and Audiovisual Production and Creation and another Master's degree in Theatrical Studies-Performing Arts, from the University of Paris 8-Vincennes-Saint Denis. Myriam was a member of the Commedia Dell'Arte troupe “Les Festinanti” for 7 years. Her first documentary feature, Trêve, produced by Abbout Productions (Lebanon), and Inthemood production (France) premiered at the Visions du Réel festival in Nyon and then at the Entrevues de Belfort. The film won several awards including the Prix Découverte Audiovisuelle of the SCAM. Following on from Trêve, Myriam is now developing her second documentary Suspendu(s) with Abbout Productions and Gogogo Films. She is also working on her first feature film, Commedia, produced by Abbout productions and Andolfi production. Alongside her cinematographic activities, Myriam has been since 2015, artistic director at the Fondation Liban Cinéma, an association for the support of Lebanese cinema. She has been teaching cinema at the Lebanese Academy of Fine Arts since 2011.

Menu Inspection Frederic BAS Caroline BRAMI PRESS KIT Technical specs. Duration: 16 min Year: 2021 Genre : Fiction Director : Caroline Brami and Frédéric Bas Screenplay : Caroline Brami and Frédéric Bas Image : Martin Rit Sound : Stéphane Gessat, Olivier Voisin, Victor Praud Editing : Nicolas Sburlati Production : GoGoGo Films & De Films en Aiguille International seller : Origine Films Broadcaster : France 3 Financing : France 3, CNC financial contribution, Paris City Hall in partnership with the CNC, Foundation for the Memory of the Shoah, Adami GALERIE SYNOPSIS Synopsis Julia, an experienced history teacher in a rather quiet high school, faces a school inspector. He wants to talk to her. But what about, exactly? Her heated debates with the principal? The freedom she takes with the school program? Or the way she teaches the Shoah? Caroline Brami Frédéric BAS Frederic BAS Frédéric Bas teaches History and Geography in a secondary school in the 19th arrondissement of Paris. He has made various radio (France Culture) and film (France 5, Arte) documentaries. He is currently directing a series of movies for Face à l’histoire (facing history), the historical program on the cinephile website of Arte, Blow Up Caroline BRAMI Caroline Brami - a French literature professor in a Paris high-school - nowadays divides her time between teaching and creative writing (whether for the movie or music industry) after a collaboration with French cultural magazine “Les Inrockuptibles”in the nineties. She is also a part-time lecturer at Sorbonne university.

Menu OUR TURN! TRAILER Hanna ASSOULINE PRESS REVIEW Fiche technique Technical specs. Duration : 52 min Year : 2020 Genre: Documentary Director : Hanna Assouline Screenplay : Hanna Assouline Photography : Olivier Duval et Mickaël Sultan Sound : Julien Bacquart / Thibault Clerc / Yannis Do Couto / Magali Gillon Editor : Pauline Casalis Productions : GoGoGo Films & Chaï Chaï Films Co-production : France 3 Pays de la Loire Broadcaster : France 3 Pays de la Loire, Public Sénat Financing : France 3 Pays de la loire, Public Sénat, Procirep Synopsis In a context where they are constantly opposed, a group of young Jews and Arabs in their twenties are mobilizing to overcome divisions and change mentalities. On the roads of France, they set off together to meet their fellow citizens to approach without filters all the subjects that anger and renew the dialogue. SYNOPSIS GALERIE BANDE ANNONCE Hanna Assouline Hanna ASSOULINE After a bachelor's in History (Sociology and History of Africa), she did a Master 1 at ESJ, specializing in audiovisual media. She has participated in numerous projects within the First Lines production box and has been an investigator for the program Cash Investigation. In 2017, she worked as a Special Envoy on the attacks of November 13. She collaborated with Georges-Marc Benhamou and Michael Prazan on a documentary project on anti-Semitism in France. She is the autor and director of a documentary film on a movement of Israeli and Palestinian women: Les Guerrières de la Paix broadcast in May 2019 on PUBLIC SENATE and LCP, and awarded with the Special Mention of the Jury at FIGRA 2019.

BEHIND THE SUN Dhia JERBI IN PRODUCTION Synopsis “Tunisia. A word I have trouble articulating, when I want to tell it to my son.” Dhia, 29 years old, left Tunisia after having taken part in the Revolution. Exiled to France, he’s worried about transmitting his stuttering to Elia, his two year old son. Soon, the issue isn’t managing a fluent speech so much as figuring how to talk to Elia about Tunisia. Technical specs Duration : 1h20 Year : 2021 Genre : D ocumentary Director : Dhia Jerbi Screenplay : Dhia Jerbi et Aude Thuries Production : GoGoGo Films - La société du sensible Co-production : Henia Production Financing : Région Auvergne-Rhône-Alpes, Région Provence-Alpes-Côte d’Azur, Aide à la coproduction franco-tunisienne CNC – CNCI, Lauréat de la bourse documentaire Jean-Luc Lagardère, lauréat du prix Robert Bosch Stiftung, résidence Sud écriture, forum de coproduction Millenium. Dhia JERBI Dhia Jerbi est un cinéaste Tunisien, né en 1991 aux Emirats Arabes Unis, où il a grandi. Il est rentré en Tunisie en 2003. Après son baccalauréat et un an dans une école d’ingénieurs, il a changé d’orientation et s’est inscrit à l’Institut Supérieur d’Art Multimédia de la Mannouba (Tunis) où il a obtenu une licence en réalisation et écriture cinématographique. A l’ISAMM il a réalisé plusieurs films d’école, notamment Marhouja. Il est ensuite parti en France pour s’inscrire à l’Ecole documentaire de Lussas où il a réalisé trois films dont Au pays des oranges tristes. Le documentaire et la fiction s’entremêlent souvent dans ses films. Réal

Menu BEING A FATHER TRAILER Delphine LANSON PRESS REVIEW Technical specs Duration : 1h20 Year : 2013 Genre : D ocumentary Director : Delphine Lanson Screenplay by : Delphine Lanson Photography : Delphine Lanson Sound : Delphine Lanson Editor : Anne Klotz Production : De films en aiguille Broadcaster : De films en aiguille (France) ​ ​ Synopsis Synopsis Bound by a civil partnership for 13 years, Jérôme and François have been speaking about their desire to have a child since the beginning of their relationship. After an extremely challenging amount of paperwork that has led them from adoption to mere coparentality, they had almost given up any hope of founding a family when they saw, two years ago, a documentary on surrogate mothers. Ever since that day, they regained hope and decided to go back to their quest of fatherhood. Bande annonce GALERIE Réal Delphine LANSON Born in Paris, Delphine moved to London at an early age to seek a multidisciplinary education. She graduates with a degree from the London and International School of Acting, and has been leading ever since a career of actress, writer and stage director. In theaters as well as in cinemas, she acts in a wide range of registers, from Shakespear to spy movies. Having played in England, in the United States and in France, she notably worked with artists such as Michael Lonsdale, Denis Lavant, Matt Damon or Miou Miou. In addition to her career, Delphine also commits to charity by going to Bangladesh with the association Clowns Without Borders. She takes her first steps as a movie director when she creates “Décroche”. She has since directed three shorts and three movie ads. She acquired a residence at the Napoule Castle, and a writing aid from the PACA region in order to write “Quelqu’un frappe à la porte !” (“Someone’s knocking at the door !”). “Naître Père” is her first feature film. Press Trois Couleurs "Born as a Father, which tenderly follows nine months of waiting, comes at the right time to give grist to the current debates". Noémie Luciani, Le Monde ​ "An indispensable film to enrich and temper the debates of the moment". Nouvel Obs ​ "The chronicle of an obstacle course full of shared affection, filmed with great discretion and sensitivity". Têtu ​ "An intimate, strong, delicate road movie".

Menu THAT I DIE Fanny CORCELLE Juliette GUIGNARD PRESS KIT Technical specs. Duration : 36 min Year : 2018 Genre: Documentary Director : Juliette Guignard et Fanny Corcelle Screenplay : Juliette Guignard et Fanny Corcelle Editor : Géraldine Gacon Photography : Juliette Guignard et Fanny Corcelle Sound : Juliette Guignard et Fanny Corcelle Production : GoGoGo Films (De Films en Aiguille) Co-production : TVM Est parisien et Magnolias Films Financing : SCAM, CNC, Procirep Angoa ​ Synopsis Edera is searching for her place, in society, in the city, in her clan. “Leder ă ” in Romanian means "ivy”. The garden weed. She lives in a makeshift hut with her husband's family, will soon turn 18, and is expecting her first child. She is living a moment of transition, a delicate balance between renunciation and resistance. Over time, she asserts the absolute need to build another destiny. SYNOPSIS GALERIE / Fanny CORCELLE Fanny CORCELLE & Juliette GUIGNARD Fanny Corcelle and Juliette Guignard have crossed paths on several occasions in their journey: At the university, they studied at the master DEMC of Paris 7, then they carried out within the collective "La Sierra Prod" a series of six documentaries, real practical and technical school where the idea of working together was consolidated. Both of them were trained in image and light (at INA or at the Gobelins) then by assisting various cinematographers (Laurent Fénart, Pierre Boffety or Vincent Ferey). They don't make common paths, Fanny Corcelle was artistic director of the Silhouette festival, jury in several short film and documentary festivals, and joined the Blogothèque team. As for Juliette Guignard, she was the coordinator of the association La Sierra Prod (film and social), and of the filmmaker collective Captive (film and art). Today, they are developing their respective documentary projects, one in Brazil, the other in the Creuse ...

Menu ON THE EDGE Nicolas PEDUZZI Technical specs. Duration : 102 min Year : 2021 Genre: Documentary Director : Nicolas Peduzzi Production : GoGoGo Films Editing : Nicolas Sburlati Original music : Gaël Rakotondrabe Photographs : Pénélope Chauvelot Image : Nicolas Peduzzi, Laëtitia Montalembert Assistant director : Hortense Maunoury Sound recording : Alexandre Bracq, Benoît Déchaut Sound assistant : Chiara Livia Sound editing : Louis Blanc Mixing : Antoine Pradalet Color Grading : Lucie Bruneteau Sound editing assistant : Jeanne Laborde Translation and subtitling : Catherine Demptos In association with ARTE France With the support of the Région Île-de-France and the Région Nouvelle-Aquitaine (Nouvelle-Aquitaine Film Workout) With the participation of Tënk and Mediapart In association with Cinéventure ​ Nicolas PEDUZZI Synopsis Beaujon Hospital, Clichy. Jamal Abdel Kader is the only psychiatrist in the 400-bed hospital. Dedicated to his patients, he tries to soothe their pain, to listen to their words, to protect them from their own demons. However, the public health service is not doing well. There is not enough time, the caregivers are cracking up. Yet Jamal and his colleagues keep striving to fulfill their mission: to heal souls and bodies. But they still have to stay on their feet. GALERIE SYNOPSIS Nicolas Peduzzi is a french comedian and director. Born in 1982 in Paris, he studies theater and cinema in New York, which led him to co-writing the boards of an off broadway play directed by Susan Batson. He then directs several shorts and videos. Back to Paris, Nicolas works for Luc Bondy with an appearance in “Les fausses confidences”, or with a role in “Ivanov”, played at the Odeon Theatre. He creates his first feature film, the documentary “Southern Belle” which already observes his texan protagonists. Released in 2018, the movie wins the grand prize of FID Marseille, and gets into the “best documentaries of the month” selection of 2019. Nicolas Peduzzi

Menu GOLDA MARIA TRAILER Patrick and Hugo SOBELMAN PRESS REVIEW Technical specs Duration: 1h55 Year: 2021 Genre: documentary Implementation : Patrick Sobelman and Hugo Sobelman Screenplay: Patrick Sobelman and Hugo Sobelman Production: GoGoGo Films Ex nihilo Distributer : ADVITAM International Seller: MK2 Movies Funding: CNC, Foundation for the Memory of the Shoah, Rothschild Foundation, CNC aid after completion ​ Theatrical release: February 9, 2022 Synopsis Synopsis In 1994, Patrick Sobelman records his grandmother Golda Maria Tondovska in her house. In front of the camera, her memories come back, from her childhood in Poland to her life as a woman in France, delivering to us the living testimony of a Jewish woman born in 1910, her voyage across the century and the horror she’s had to live through. In 2020, Patrick and his son Hugo translated this intimate testimony into a universal and essential film. Bande-annonce Patrick SOBELMAN Patrick Sobelman is a french movie director born in 1956 in Paris. Co-foundator of the production company Ex Nihilo in 1984, he has been affiliated with AGAT Films & Cie since 1993. He produced more than fifty movies, most of which were selected for prestigious festivals, such as The Summer House by Valeria Bruni Tedeschi (Venise 2018), or The Together Project by Solveig Anspach (Directors’ Fortnight, Cannes 2016 - SACD Price). Hugo SOBELMAN Born in 1988, Hugo Sobelman is a french movie director based in Paris. He started his career as a stage assistant on movie sets such as Queen of Montreuil (Venice Days, Mostra de Venise 2012). He then worked as a freelance cameraman and editor in Paris and London for Ad Vitam, Agat Films, Rectangle and The Bureau. He made his debut as a movie director from 2014 by working on a dozen of musical clips for the independent label X-Ray. Between the years 2018 and 2020, Hugo directs his first two feature films, both documentaries : Golda Maria, which aired in world premiere at the Berlinale 2020, and Soul Kids, which won the Jury price of the F.A.M.E. Festival and was elected best musical documentary by the SACEM. Both movies should be released in 2021. Réal Press Patrick Grumberg "Golda tells us that we must live, and if necessary survive, and above all that we must pass on and pass on again so that those who survive us will have the same determination, the same courage, the same desire to make films as a family, the family of humans, which will also triumph over the new barbarities that will not fail to appear in history" Cinema Notebooks ​ "A film of immediate historical force" “This family film acquires a universal scope” ​ Cinema Files ​ “A precious, staggering, intimate and universal testimony” ​ POSITIVE ​ “Elegant, precise, essential” “A gripping story” “Intimate and universal” ​ ​ Le Figaro ​ "At a time when some people's memory is failing on the tragedy of the Jewish deportations in France, this intimate documentary is a useful work. » ​

Menu Menu GHOST SONG TRAILER Nicolas PEDUZZI PRESS KIT Technical specs. Duration: 1h16 Year: 2021 Genre : Documentary Implementation : Nicolas Peduzzi Writing: Nicolas Peduzzi in collaboration with Aude Thuries and Léon Chatiliez Image: Laetitia de Montalembert, Francesco di Pierro, Nicolas Peduzzi Sound: Léon Chatiliez, Maxime Berland, Romain Ozanne Original music: Jimmy Whoo Production: GoGoGo Films Funding: FIDLAB 2018 winner, Paris Doc "work in progress" 2020, Nouvelle Aquitaine Film Work-Out, CNC aid after production Distributor: Alchemists Films International Seller: MPM Premium Broadcaster: VICE ​ Theatrical release: April 27, 2022 ​ Synopsis Houston, Texas. A hurricane makes its way, ready to consume people and dreams alike. The rapper and former gang leader Alex is hugging the walls to avoid retaliation and bury her best friend. Will and Nate, two wandering souls from the upper class districts, struggle against their addictions and dysfunctional families. From this ambient disarray, their symphony breaks free. Cyclones frequently come to sweep the streets of Houston, haunted by both dead and living ghosts. Alexandra, Tay, Will and Nate compose rhythms and words in the middle of the strongly cleaved city. From the ambient, almost chaotic decadence, break out the cries they decide to sing. Houston, relentlessly drowned in cyclones, raises its hyperbolic skyscrapers and outrageous neon lights against the elements. Alexandra and Tay on one side, Will and Nate on the other, all do their best not to let themselves get swallowed by this city and all its excesses. Bande d'annonce Réal Nicolas PEDUZZI Nicolas Peduzzi is a french comedian and director. Born in 1982 in Paris, he studies theater and cinema in New York, which led him to co-writing the boards of an off broadway play directed by Susan Batson. He then directs several shorts and videos. Back to Paris, Nicolas works for Luc Bondy with an appearance in “Les fausses confidences”, or with a role in “Ivanov”, played at the Odeon Theatre. He creates his first feature film, the documentary “Southern Belle” which already observes his texan protagonists. Released in 2018, the movie wins the grand prize of FID Marseille, and gets into the “best documentaries of the month” selection of 2019. Press Yann Tobin, Positif "The film contains a breathtaking scene, as only documentaries can produce (...). It is magical. If only for this moment of grace, Ghost Song deserves to be remembered." Camille Griner, Les écrans terribles ​ "Ghost Song is a heartfelt cry from a trio of magnified losers as Hurricane Harvey threatens to wipe them off the map. The rage before the storm". Cinema Teaser ​ "From furious hip hop to twilight folk, from the chic suburbs to the worst ghettos, from rich people fights to real shootings at the gas station, it is a whole American mythology that unfolds before Nicolas Peduzzi's camera." Opening Acid Cannes 2021 PREVIEW Movie BEST OF DOC 2022

Menu FREE ANGELA TRAILER SHOLA LYNCH PRESS REVIEW Technical specs Duration : 1h39 Year : 2013 Genre : Documentary Director : Shola Lynch Screenplay : Shola Lynch Cinematography : Bradford Young, (des Reconstitutions) Sandi Sissel ( des interviews) Sound : Mark Burton, Sarah Chin, Alexandra Gallo, Emmanuel Germond, Dimitri Tisseyre, Olivier Virmont Editor : Marion Monnier - Lewis Erskine Production : De films en aiguille (GoGoGo Films) & Realside productions (USA) Co-production : Direct Cinéma- Overbrook - Will Smith / Rock Nation - Jay Z Broadcaster : Jour2fete Seller : Elle Driver Financing : Direct 8, La Région Ile-de-France, Canal +, The Ford Foundation, Black Entertainment Television Networks, Tribeca All Access, Procirep - Angoa, New York State Council on the Arts, Paul Newman Foundation, The Independent Television Service, The Corporation for Public Broadcasting, The Sundance Institute Documentary Film Program Synopsis Synopsis Free Angela and All Political Prisoners tells the story of a young philosophy teacher who was born in Alabama, in a family of African American intellectuals, and who is today known for her political activism. Throughout her youth, Angela Davis is deeply marked by the racism and humiliations of the Segregation, and the climate of violence that surrounds her. Feminist, communist, activist for the Civil Right movement, close to the Black Panther party, Angela Davis gets involved with the Soledad Brothers Defense Committee, to defend the three Black american prisoners who were charged for the murder of a prison warden in retaliation to the murder of one of their fellow prisoners. Accused of organizing a jailbreak entailing a hostage crisis and ultimately leading to the deaths of a Californian judge and three prisoners, Angela becomes in 1970 the most wanted woman in the United States. Arrested, imprisoned, judged and sentenced to death, she’s eventually released due to the lack of evidence against her, and a strong pressure from several International Support Committees, all manifesting under the slogan “FREE ANGELA !’ She has since become a symbol of the fight against all forms of oppression : racial, political, social and gender oppression, Angela Davis embodies, in the 70s, the saying “Power to People”. With her haircut and her figure, she will later inadvertently start the “afro” fashion, followed by millions of young people. Forty years later, for the anniversary of Angela’s acquittal, Shola Lynch with her film “Free Angela And All Political Prisoners” comes back to the crucial historical period that is the second part of the 20th century. Still today an activist and a modern-day abolitionist, the icon that is Angela Davis keeps on fighting. Bande annonce GALERIE Sholah Lynch Shola Lynch was born in Austin, Texas, in 1969 and grew up in New York. She graduated from the University of California Riverside with a master’s degree in history, and from the University of Columbia with a master’s degree in journalism. As a successful athlete, she has won numerous races. In 2004, she directs her first film “Shirley Chisholm’72 Unbought & Unbossed”, followed by “Free Angela And All Political Prisoners” in 2013. Réal Press Télérama "Impeccably constructed from archival material, Free Angela is a political thriller in which racial struggles, black activism, and an incredible wave of international pride are intertwined." L'Humanité du dimanche ​ "The strength of this film is that it places this extraordinary individual fate within a collective movement. If it reminds us of the importance of the struggle, Free Angela demystifies the supposed revolutionary romanticism of the 1960s and 1970s." Eric Loret, Libération ​ "All these archives have been scoured, "conformed" into a kind of colour continuum that cancels time. Angela in 71 looks closer to us than she does today. We don't know why, but we feel compelled to, it's a physical impulse: colour, warmth, closeness. Perhaps there is no icon that is not truly political." Télérama ​ "In the midst of the turmoil, Angela Davis is the epitome of youthful energy, calm and determined, always weighted and profoundly radical. An angel of black anger".