Menu CURSED DAYS TRAILER Artem IURCHENKO Technical specs. Duration : 1h12 Year : 2018 Genre: Documentary Director : Artem Iurchenko Screenplay : Artem Iurchenko Editor : Charlotte Tourrès Photography : Artem Iurchenko Sound : Artem Iurchenko Production: GoGoGo Films (De Films en Aiguille) & Survivance Broadcaster : Tënk Co-production: et Vosges TV Financing : Ardèche Images, CNC, Procirep Angoa ​ DISCOVER ON VOD Synopsis 2014, in Ukraine. In the city-centre of Kiev, protected from the outside world, this is where Vladimir devotes himself to teaching precise lines, in between cups of coffee. Time seems suspended here, while fragments of the present infiltrate the workshop: the sounds and images of the revolution that is rumbling on Maidan Nezalezhnosti (Independence Square) get this far, against the will of Vladimir, who is reluctant to recognise that his country’s history may influence his life or his work. And yet, the fine line of his pencil represents all the violence of the past, of the present and perhaps already a future war, which explodes. Artem Iurchenko also studied in this workshop as one of Vladimir’s pupils. For him, to come back here with his camera means creating a breach, opening a door, initiating a movement. He circulates between the interior and the exterior, from the frozen décor of the studio, haunted by still lives, to the constantly reconstructed scene of the barricades on the square, then the departure of its conscripts towards Donbass. SYNOPSIS GALERIE / Artem IURCHENKO Artem IURCHENKO Artem Lurchenko, born in 1987 in Kiev, student of the workshop of engraving and printing art of National Polytechnic University of Ukraine. Upon his arrival in France in 2008, he completed a Master 2 in Art Media at the École Supérieure des Beaux-Arts in Angers, where in 2013 he directed his first film, Pustinki-Hlinitzi. Then he did a Master 2 in documentary filmmaking at Lussas in 2014 and on this occasion directed Atelier #5, a short documentary film which prefigures Les jours maudits.

NAZIS AND MONEY TRAILER Gil Rabier PRESS REVIEW THE NAZIS AND the money Technical specs. Duration : 1h30 et 2x45min Year : 2021 Genre : Documentary Director : Gil Rabier Screenplay : Gil Rabier et Olivier Wieviorka Photography : Laurent Coltelloni Sound : David Rit Editor : Florence Ricard Production : GoGoGo Films Co-producer : JPL films Broadcaster : ARTE France, LCP Distributor: ZED Financing : Arte, Région Ile-de-France, CNC, Procirep Angoa, Zed, SG images 2018, LCP DISCOVER ON VOD Fiche technique SYNOPSIS Synopsis Juin 1940 : Hitler lance ses troupes blindées contre la France, la Belgique et la Hollande. Pourtant, l’Allemagne n’a plus d’argent, peu de matières premières, pas de pétrole et pas de devise. Comment les nazis ont-ils pu, sans argent et à la tête d’une économie faible, déclencher ce cataclysme que fut la seconde guerre mondiale ? GALERIE BANDE ANNONCE Gil Rabier Gil Rabier Gil Rabier studied philosophy and gave lectures in Japan. He produces historical and topical documentaries : his movies often touch on medical and social issues. Author of the book "L'Annonce, dire la maladie grave" ("The Announcement, declaring the serious illness"), he also produced the movies Les Derniers Mots ("The Last Words"), Fukushima, Des particules et des hommes ("Of particles and men") and Humaniser l'hôpital ("Humanizing the hospital"). He recently finished a film about the economy under the third Reich titled Nazis and money. Reviews Telerama, Pierre Ancery, 2021 ​ In the fascinating documentary “The Nazis and money: at the heart of the Third Reich”, director Gil Rabier approaches the history of Hitler's Germany through the prism of its economy. Interview. ​ READ THE ARTICLE Region Ile de France, 2021 ​ Predation, corruption, spoliation, slavery, famine, mass murder...: a documentary produced with the support of the Region dissects all the economic cogs at the base of the Hitler regime. READ THE ARTICLE LeFigaro.fr, 2021 ​ The Nazis and money, at the heart of the Third Reich. READ THE ARTICLE Critiques & Prix

Menu Nadege Abadie PRESS REVIEW Technical specs. Duration : 52 et 61 min Year : 2017 Genre: Documentary Director : Nadège Abadie Screenplay : Nadège Abadie Photography : Jonathan Ricquebourg et Nadège Abadie Sound : François Abdelnour Editor : Sophie Mandonnet avec Isabelle Proust Production: GoGoGo Films (De Films en Aiguille) Broadcaster : France 3 Financing : Région Poitou-Charentes, France 3 Poitou-Charentes, Ministère de l’Agriculture, Région Aquitaine Limousin Poitou-Charentes, la Procirep - Société des Producteurs, de l’ANGOA ​ SYNOPSIS Synopsis The world moves on, creates, destroys and figures remain. Océane wants to join the army, Marco wants to become a priest, Claire and Antoine settle down as peasants. They are young and by their singularities, they invalidate all the prejudices, clichés and generalizations made towards them. Being happy is to learn to choose your path, your profession, your way of living and loving. How does that hold the path we take ? GALERIE Nadège ABADIE Nadege Abadie Nadège Abadie is a photographer and director. Born in Paris in 1988, graduated from ENS Louis-Lumière, she is constantly developing tools and forms that allow her to support the fragility of the subjects she films. Her photographic works have been exhibited in galleries, arts center, festivals and published at Éditions La Martinière, Paris, and Éditions d'en bas, Lausanne. She directed the documentaries 32 boulevard de Magenta (2013), Le point de rosée (2017) and Des mots à la figure (2018).

Menu THE VAROU / Marie HEYSE Technical specs. Duration : 28 min Year : 2021 Genre : Thriller, fantastic Director : Marie Heyse Sceenplay : Marie Heyse Photography: Jacques Girault Sound : Hadrien Bayard, Laure Bardou, Antoine Pradalet Original Music : Alexandre Butlen Editing : Simon Birman Production : GoGoGo Films Broadcaster : Ciné+ Residency : Centre de résidence de l’écriture à l’image de Saint-Quirin Financing : Région Normandie, CNC financial contribution, CNC aide complémentaire à la musique ​ SYNOPSIS Synopsis Since Gabi, 25, lives in her caravan on the edge of a forest, a mysterious beast hangs around in the night. GALERIE Marie Heyse Marie Heyse Originally from Normandy, Marie studied Literature and then Cinema at the Sorbonne. Le Varou (2021), inspired by an old Norman legend, is her first produced short film. She is currently developing several projects oriented towards the strange and the fantastic, including All parents must die, 2nd prize at the 2021 Moulin d'Andé screenplay competition, winner of the 2020 Sofilm genre residency, and of the Creation in Classes at the Ateliers Médicis in 2019-2020. Brive Film Festival

Menu Technical specs. Duration : 11 min Year : 2022 Genre: Fiction Director : Eve-Chems de Brouwer Screenplay : Eve-Chems de Brouwer Casting : Tallulah Cassavetti Mona Behr Leïl Behr Production: GoGoGo Films In partnership with : Carpentras fait son cinéma ​ CHILDREN'S TIme Eve-Chems de Brouwer SYNOPSIS Synopsis A close bond unites Tallulah with the children she looks after every evening after school. One day, a tragic event places a heavy responsibility on her. Eve-Chems de Brouwer Eve-Chems de Brouwer As a theater director and producer, Ève-Chems De Brouwer entered the film industry with a passion for cinematography and acting. It was in Canada that she directed her first film, Montréal, in national competition at the European Short Film Festival in Brest. Her second film, Sous l'écorce, purchased by Arte, won numerous festival prizes (best short film at the Cabourg Film Festival, jury prize at the FFIF Namur) and post-production assistance from the CNC. The body occupies a central place in his work. Her films explore the quest for freedom, loss, the relationship with the mother and reconstruction. In each project, she approaches strong and emotional women's characters in an intimate and sensory way, and tries to resonate with the unconscious part of the viewer. She is writing a first feature film and developing a project on the taboo of infertility in Africa. ​

Menu WARSHA Dania BDEIR Technical specs. Duration : 15 min Year : 2021 Genre : Fiction Director : Dania Bdeir Production : Inter Spinas Films, GoGoGo Films Co-Production : Né à Beyrouth Films Distributor: Arte International Sales : New Europe Film Sales Financing : Région Sud Cinéma, Aix-Marseille-Provence Métropole, Tournages Grand Est, Fonds Image de la Francophonie, CNC, Sacem, Nava projects ​ Synopsis Mohammad, a Syrian migrant, works on a construction site in Beirut. That day, something compelled him to volunteer to drive the highest and most dangerous crane in Lebanon. SYNOPSIS Dania Bdeir Dania Bdeir Dania Bdeir is a multi-award winning writer-director who has an intense love/hate relationship with her home country, Lebanon. It is in this country that she finds both her greatest sorrow and her deepest inspiration. Dania has a Master's degree in filmmaking from the Tisch School of the Arts in New York. Her graduation short film, In White, which received support from the Spike Lee Production Fund, had its world premiere at the Clermont -Ferrand Short Film Festival and has screened at the BFI London Film Festival, the Uppsala International Short Film Festival, and over thirty other festivals around the world. In February 2019 Dania was selected for Berlinale Talents and participated in the Berlinale Short Film Station with her short film WARSHA. She currently lives between New York and Dubai and is developing her first feature film, "Pigeon Wars" which was selected for the DFI Hezaya Screenwriting lab organised in collaboration with Torino Film Lab.

Menu THE TRIAL OF EMMA BOVARY Audrey Gordon Technical specs. Duration : 52 min Year : 2021 Genre : Documentary Director : Audrey Gordon Screenplay : Audrey Gordon and Emilie Musset Editing : Nadia Ben Rachid Production : GoGoGo Films Broadcasters : ARTE France, TV5 world Funding : ARTE France, CNC, TV5 monde, La Chaîne Normande Fiche technique Synopsis LOVE LETTER TO FLAUBERT The rule of appearances, the quest for true love, dreams of adventure... Madame Bovary plunges into the turpitudes of a woman trying to escape from her boredom and her role as a bourgeois wife in a patriarchal and rigid country society. That world is a thing of the past, and the obscenity and immorality reproached to Flaubert in his depiction of his heroine's vices make us smile in the age of Houellebecq and Despentes. But would Emma Bovary be freer and less scandalous today? How would she live? Would she divorce Charles? Who would be Rodolphe and who would be Léon? Would she take antidepressants? SYNOPSIS Audrey Gordon Audrey Gordon Historian by training and graduate journalist, Audrey Gordon cut her teeth in the written and audiovisual press before embarking on documentary filmmaking. She is particularly interested in History and the transmission of memory. Her first film, Kinderlekh, tells the story of the tour of a fourth grade class playing the story of Izieu's children, deported in 1944. In 2014, she met a former resistance fighter and, based on her story, approached fiction with the short film Edith & Lucile. In 2016, she shot her first feature-length documentary in the United States. Press La Croix "Audrey Gordon, echoing the wise words of other writers, from Nathalie Sarrante to Mario Vargas Llosa, inscribes in her own images those of the filmmakers who, in France and elsewhere, have given a face to Madame Bovary." Mohammed Aïssaoui, Le Figaro ​ "The strength of the film lies in its writing, its rhythm, accompanied by inspired music and the voice of Natalia Dontcheva." Le Figaro ​ "The film is a great success because it speaks remarkably well of a great literary work, of an era, and deciphers the work of the famous writer. » Critiques

Menu NECTAR Lucile HADZIHALILOVIC Technical specs. Duration: 18 min Year: 2014 Genre: Fiction Directed by: Lucile Hadzihaliovic Screenplay: Lucile Hadzihaliovic Image: Manu Dacosse Sound: Valerie De Loof & Cyril Holtz Editing: Denis Bedlow Production: GoGoGo Films (From films to needle) Cast: Olga Riazanova, Brigitte Lo Cicero, Quentin Brussieux, Karl Sarafidis Funding: CNC financial contribution, CVS, CICLIC, CANAL+,TSF SYNOPSIS Synopsis In a park, a round room. Inside, women indulge in a well-honed ritual. The queen delivers her nectar. But a new cycle is already preparing... GALERIE Lucile Hadzihaliovic Lucile HADZIHALILOVIC Born at Lyon , Lucile Hadzihalilovic spent her childhood in Morocco until the age of 17 and very early became passionate about American and Italian genre cinema. She studied at ESEC , then at IDHEC where she made her graduation film in 1986, "La Première Mort de Nono". After this first achievement, she founded with Gaspar Noe film production company Area Cinemas . She is a member of collective 50/50 which aims to promote the equality of women and men and the diversity in the movie theater and audiovisual .

Menu Technical specs. Duration : 10 min Year : 2022 Genre: Fiction Director : Vincent Elbaz Screenplay : Mathieu et Vincent Elbaz Production: GoGoGo Films Co-Production: 10:22 Films Laurent Paul Broacaster : OCS Financing : CNC ​ Prison STORY Vincent ELBAZ SYNOPSIS Synopsis Night falls in a prison dormitory for day parolees. All the inmates are getting ready for the night, including friends and bedmates Charlie and René. As darkness fills the room, Charlie is suddenly overcome by loneliness. Vincent ELBAZ Vincent ELBAZ Vincent Elbaz started up Comedy with the Cours Florent, practising theatre for two years. He performed in several plays : L’ouest le vrai by Sam Shepard, Le Bouc (1993) by Rainer Werner Fassbinder. He became one of the most promising young french actors by landing his first role in a big screen film, Le Peril Jeune, by Cédric Klapisch. After that, his comedies were quite a success, though he didn’t hesitate to impersonate darker characters. He was awarded the Jean Gabin prize in 1998. Between 2002 and 2007, he acted in two theatre plays, directed by John Malkovich, Good Canary and Hysteria. He then starred with Marion Cotillard in the romantic comedy Ma vie en l’air. He was the main character of the Luc Bessons’ action series No limit, but still remains faithful to the big screen, and sometimes even goes behind the camera.

Fiche technique LIVE THE FOREST T R A I L E R Alexis et Jérémie LOPEZ Technical specs. Duration : 50 min Year : 2021 Genre: Documentary Director : Alexis & Jérémie Lopez Screenplay : Alexis & Jérémie Lopez et Erika laxum Photography : Alexis Lopez Editor : Alexis & Jérémie Lopez Production : GoGoGo Films & De Films En Aiguille Co-production : Ushuaïa TV Distributor : ZED Broadcaster : Ushuaïa TV Financing : Ushuaïa TV, CNC Synopsis Baptiste Dulaar decides to trek through the Ural with a friend, seeking philosophical truths while trying to fulfil a vital need for seclusion. Completely self-reliant, without a map, a GPS or any cell phone and with only two kilos of rice, this journey sheds a new light on our relationship to the earth and to the living. SYNOPSIS BANDE ANNONCE Alexis & Jérémie Lopez Alexis & Jeremie LOPEZ The Lopez brothers, both self-taught, went into directing by participating in the Media France TV competition in 2013. Coline Serreau, the president of the jury, awarded them with the Grand Prix for their production of a portrait about their older brother, a tree-lover. In 2016, they made their first short-film : InLove. Through this sarcastic tale on love, they addressed a theme that is really dear to them : social violence. The film, completely self-produced, was warmly welcomed in festivals, with more than 125 nominations and 25 awards internationally. Over the 2017 summer, they applied for the writing residence La Ruche, created by Gindou Cinéma. The year after, they took part in the writing residence Cinétalents, organised by 1000 Visages. This enabled them to develop their script for Happy Deal, under the guidance of Marcel Beaulieu. In 2020, scriptwriters Philippe Barrière and Virginie Legeay joined the two brothers to complete the writing of the screenplay, which will be shot at the end of 2021. Critiques & Prix Reviews Télérama, Virginie Felix Their extreme hike has the looks of a mystic quest, as testify the knowledge lessons whispered by Baptiste, wandering mediation, as the voice-over . An into the wild diary which translates the need of silence and freedom, the desire of « simplicity ». ​ ​ READ THE ARTICLE

Menu FIRST VOTE ▶ Étienne Chaillou Technical specs. Duration: 13 x 26 mins Year: 2017 Genre: Documentary Collection director: Étienne Chaillou Production: GoGoGo Movies (From Films en Aiguille), Pardi productions, Second line Broadcaster: France 3 Funding: ACSE - Images of Diversity, ADAV, COSIP assistance with production and assistance with production, ADP Foundation, IDF, Procirep, Public Senate, Lower Normandy Region , Brittany, Corsica, Upper Normandy, Ile de France, Pays de la Loire Synopsis “Premier vote” is the first collection of documentaries produced for the entire new regional network of France 3. Broadcast in April 2017 a few days before the first round of the presidential election, it gives voice to a generation of first-time voters in search of recognition and visibility. They are abstentionists, FN militants, communist sympathizers, or little concerned about political life... From Corte to Amiens, 13 regions, 13 films, 39 young people of all sensibilities and from all social backgrounds. SYNOPSIS GALERIE / Etienne CHAILLOU Etienne CHAILLOU Étienne Chaillou is a French director born in 1981. A graduate of the Arts Décoratifs de Paris in animation, he has been co-directing films with Mathias Théry since 2006. Together, they seek new narrative forms to explore the incessant questions to which they indulge in their movies. Beyond science, they tackle sociological themes such as the family and the heated debate surrounding the law on marriage for all with the film La Sociologue et l'Ourson released in theaters in 2016, which was a great critical and of hearing. Their new film, La Cravate was released in theaters in 2020. Hauts-de-France Considering the youth Mathias THERY Normandy Young workers Nicolas Boulenger Brittany The spark Lauriane LAGARDE Pays de la Loire impatient Vincent POUPLARD Ile-de-France The ones, the others, the approximately Raphaële BENISTY Great East The taste of ideas Zouhair CHEBBALE Burgundy-France-County Children of the Republic Jonathan RICQUEBOURG Provence-Alpes-Côte d'Azur With family Jan SITTA Occitania The boomerang effect Natacha SAUTEREAU Centre-Loire Valley Ping-pong Celine THIOU New Aquitaine The click policy Benoit Felici Auvergne-Rhône-Alpes The alpha male Drine BROWN Corsica U primu voted Idrissa GUIRO

Menu AND I wanted to put my father in a van Olivier DUVAL Technical specs. Duration: 21 mins Year: 2016 Genre: Documentary Directed by: Olivier Duval Screenplay: Olivier Duval Production: GoGoGo Films Funding: CNC ​ SYNOPSIS Synopsis At 69, after 8 years of retirement, when you "have no plans"; "when you don't have much to talk about with your wife"; when one only dreams of Australia in front of a map; when everything weighs like a lid. What remains to be done, except for a very long nap? A little spark sprung up when listening to Aline, the song of his 20th birthday. Will she ignite his life when his son, a stubborn director, parks a motorhome on the lawn of his country house? "After his brother's suicide, I film my father, an idle 69-year-old retiree, hoping to revive in him the desire to live." GALERIE Olivier Duval Olivier Duval Olivier Duval joined the Sorbonne in Cinema / Audiovisual, then ECAL (Cantonal Art School of Lausanne, Switzerland) in the Cinema section. At the same time, he leads a career as a director, screenwriter, actor, cinematographer on various projects. He collaborated in particular with Jan Czarlewski on L'Ambassadeur et moi (2011), L'Amour Bègue (2013), nominated at numerous festivals and then on Training (2014) for Camper ©.