MOHAMED | Documentary (2020) | Sara Olarciregui | Mohamed is in his early twenties.  He likes cinema, theatre, and above all, words.  Menu MOHAMED Sara OLACIREGUI Synopsis Mohamed is in his early twenties. He likes cinema, theatre, and above all, words. Every week, he goes to the improvisation and film writing workshop in his neighborhood, LABEC. One day, he will be “somebody”, he's sure of that. For now, he writes and films his difficult daily life which he shares with me, while I, through my camera, offer my own vision of this young man in maturation. Putting his images and mine together, this chronicle will be an intimate account of his blossoming, one of an up-and-coming artist who seeks essentially to find his own voice and own language. This portrait is an offer to accompany Mohamed in this assertion, in his moments of doubts and anger, and in his moments of success. Technical specs. Duration: 44 min Year: 2020 Genre: documentary Director : Sara Olaciregui Screenplay : Sara Olaciregui et Mohamed Bouakkaz Photography : Sara Olaciregui Sound : Sara Olaciregui, Paul Le Bret, Baptise Wanekeum, N’Dembo Ziavoula Editor : Myriam Aycaguer et Manon Falise Production: GoGoGo Films Financing : Région Ile-de-France, Région Nouvelle-Aquitaine film workout , Atelier résidence Un Jolie Mai, Dispositif Talents en court au Comedy Club, Bourse Tutorat de la SCAM, CICLIC.

LES NAZIS ET L'ARGENT | Gil RABIER | Documentary (2021) | June 1940: Hitler launches tanks and troops across France, Belgium and Holland. Yet Germany is impoverished, has few raw materials, and no oil or currency. NAZIS AND MONEY Gil RABIER THE NAZIS AND the money Synopsis June 1940: Hitler launches his armored troops against France, Belgium and Holland. Yet Germany had no money, few raw materials, no oil and no currency. How could the Nazis, with no money and a weak economy, unleash the cataclysm that was the Second World War? Technical specs Duration : 1h30 and 2x45min Year : 2021 Genre : Documentary Director : Gil Rabier Screenplay : Gil Rabier I Olivier Wieviorka Photography : Laurent Coltelloni Sound : David Rit Editor : Florence Ricard Production : GoGoGo Films Co-producer : JPL films Broadcaster : ARTE France I LCP Distributor: ZED Financing : Arte I Région Ile-de-France I CNC I PROCIREP-ANGOA I Zed I SG images 2018 I LCP Fiche technique BANDE ANNONCE

On THE EDGE | Nicolas PEDUZZI | Documentary (2023) I Beaujon Hospital, Clichy. Jamal Abdel Kader is the only psychiatrist in the 400-bed hospital. Dedicated to his patients, he tries to soothe their pain, to listen to their words, to protect them from their own demons.  Menu ON THE EDGE Nicolas PEDUZZI Synopsis How do you care for a sick institution? In a hospital near Paris, liaison psychiatrist Dr. Abdel-Kader navigates his way from emergency to intensive care, from mentally ill patients to those bedridden by chronic illness. Despite the demands of efficiency and lack of resources, he strives to ease their suffering. Technical specs Duration : 102 min Year : 2023 Genre: Documentary Director : Nicolas Peduzzi Photographs : Pénélope Chauvelot Image : Nicolas Peduzzi I Laëtitia Montalembert Editing : Nicolas Sburlati Sound editing : Louis Blanc Original music : Gaël Rakotondrabe Production : GoGoGo Films Distributor : Les Alchimistes International sales : Lightdox Financing : ARTE France I Île-de-France Region I Nouvelle-Aquitaine Region(Nouvelle-Aquitaine Film Workout) I Tënk I Mediapart I Cinéventure Official Selections Cannes Film Festival - ACID I CPH:DOX - Special Jury Mention I Champs Elysées Film Festival - Grand Jury Prize - Critics' Prize I PariScience - Audience Award I Filmer le travail Festival - Audience Award - Special Jury Prize from the City I La Rochelle International Film Festival I Résistances Festival I Dokufest I Zurich Film Festival I Antenna DFF I Corsica.doc I St Paul Trois Chateaux Festival I DocLisboa I Bordeaux International Independent Film Festival I Mois du Doc Morbihan I Sarlat Film Festival I Ciné Lorgues Festival I Stockholm International Film Festival I FICFA - International Francophone Film Festival in Acadia I Grain à Démoudre Festival I Aux Écrans du Réel Festival I Atmosphère 53 Festival I Ramdam Festival I Quimper Images et Films Festival I Watch Docs Film Festival I Pravo Ljudski Film Festival I Belgrade Film Festival I PSY images FF I Festival de Cine y Derechos Humanos I Crossing Europe I Mostra Eco Falante de Cinema I Forum Visages I Plein Champs Festival I Music & Cinema Festival I Printemps du film engagé I Inconvenient Films Festival I Quebec City Film Festival I Vrai de Vrai Film Festival

GOLDA MARIA | Patrick et Hugo SOBELMAN | Documentary (2021) | In 1994, Patrick Sobelman records her grandmother Golda Maria Tondovska in her house. Menu GOLDA MARIA Hugo SOBELMAN Patrick SOBELMAN Berlinale 2020 - Panorama Competition I Cinéma du réel I International Film Festival I Entrevues Belfort I Pessac History Film Festival I Jerusalem International Film Festival - "Avner Salev Award" Official selections Synopsis In 1994, Patrick Sobelman records his grandmother Golda Maria Tondovska in her house. In front of the camera, her memories come back, from her childhood in Poland to her life as a woman in France, delivering to us the living testimony of a Jewish woman born in 1910, her voyage across the century and the horror she’s had to live through. In 2020, Patrick and his son Hugo translated this intimate testimony into a universal and essential film. Technical specs Duration: 1h55 Year: 2021 Genre: documentary Directors : Patrick Sobelman I Hugo Sobelman Screenplay: Patrick Sobelman I Hugo Sobelman Production: GoGoGo Films Coproduction : Ex nihilo Distributor : ADVITAM International Seller: MK2 Movies Funding: Foundation for the Memory of the Shoah I Rothschild Foundation I CNC - aid after completion Bande-annonce

FICTION - 2022 Romane, 10 years old, is going to blow up the local factory with her friends thanks to the Bombe à Destruction Intégrale. Menu ALL PARENTS MUST DIE Marie Heyse I N P R O D U C T I O N Duration: 30 min Year: 2022 Gender: Fiction Directed by: Marie Heyse Screenplay: Marie Heyse Production: GoGoGo Movies Technical specs. Synopsis "Romane, 10, wants her friends to believe that their parents are dead."

THE LONELY CHILD Benjamin LONIEWSKI PRISON'S STORY Vincent Elbaz THE CHILDREN'S HOUR Eve-Chems de BROUWER WARSHA Dania BDEIR THE VAROU Marie HEYSE THE INSPECTION Fédéric BAS & Caroline BRAMI STUTTERER Olivier DUVAL AND I WANTED TO PUT MY FATHER IN A VAN Olivier Duval NECTAR Lucile HADZIHALIOVIC Menu

Menu MOHAMED / Sara OLACIREGUI Technical specs. Duration: 44 min Year: 2020 Genre: documentary Director : Sara Olaciregui Screenplay : Sara Olaciregui et Mohamed Bouakkaz Photography : Sara Olaciregui Sound : Sara Olaciregui, Paul Le Bret, Baptise Wanekeum, N’Dembo Ziavoula Editor : Myriam Aycaguer et Manon Falise Production: GoGoGo Films Financing : Région Ile-de-France, Région Nouvelle-Aquitaine film workout , Atelier résidence Un Jolie Mai, Dispositif Talents en court au Comedy Club, Bourse Tutorat de la SCAM, CICLIC. SYNOPSIS Synopsis Mohamed is in his early twenties. He likes cinema, theatre, and above all, words. Every week, he goes to the improvisation and film writing workshop in his neighborhood, LABEC. One day, he will be “somebody”, he's sure of that. For now, he writes and films his difficult daily life which he shares with me, while I, through my camera, offer my own vision of this young man in maturation. Putting his images and mine together, this chronicle will be an intimate account of his blossoming, one of an up-and-coming artist who seeks essentially to find his own voice and own language. This portrait is an offer to accompany Mohamed in this assertion, in his moments of doubts and anger, and in his moments of success. Sara Olaciregui Sara OLACIREGUI In 2006, after graduating in Numerical techniques and 2d animation, Sara olaciregui, started a career as an editor, and worked on Pile Poil which won the Cesar in 2020 for the best short film, among others. In 2020, she finished directing her first documentary, Mohamed, which won the Nouvelle Aquitaine Film Workout 2019. Sara currently works on the development of two projects, one of which has received the Brouillon d'un rêve award, of the SCAM 2019. She is also responsible for the image on the film 316 North Main directed by Sonia Ben Slama which is being shot in the United States. In parallel, she has joined in 2016 the LABEC association Plus loin, in which she still helps and teaches the young authors/directors in filming and editing films.

Menu SUSPENDED Myriam EL HAJJ journal du liban Technical specs. Year: 2021 Genre: Fiction Directed by: Myriam EL HAJJ Scenario: Myriam EL HAJJ Production: GoGoGo Films Co-production: Abbout Productions Films Funding: CNC, OIF, South Region, IMS, Doha Film Institute I N P R O D U C T I O N Synopsis Weapons, ballot boxes or the street. Georges, Joumana, Perla. Three intersecting destinies, three generations and the same desire to change a sick country: Lebanon. As crises follow one another inexorably, they find themselves faced with a dilemma: save the world or save themselves? SYNOPSIS Myriam EL HAJJ Myriam EL HAJJ Myriam el Hajj was born in 1983 in Beirut. She holds a Master's degree in Cinema and Audiovisual Production and Creation and another Master's degree in Theatrical Studies-Performing Arts, from the University of Paris 8-Vincennes-Saint Denis. Myriam was a member of the Commedia Dell'Arte troupe “Les Festinanti” for 7 years. Her first documentary feature, Trêve, produced by Abbout Productions (Lebanon), and Inthemood production (France) premiered at the Visions du Réel festival in Nyon and then at the Entrevues de Belfort. The film won several awards including the Prix Découverte Audiovisuelle of the SCAM. Following on from Trêve, Myriam is now developing her second documentary Suspendu(s) with Abbout Productions and Gogogo Films. She is also working on her first feature film, Commedia, produced by Abbout productions and Andolfi production. Alongside her cinematographic activities, Myriam has been since 2015, artistic director at the Fondation Liban Cinéma, an association for the support of Lebanese cinema. She has been teaching cinema at the Lebanese Academy of Fine Arts since 2011.

Menu Inspection Frederic BAS Caroline BRAMI PRESS KIT Technical specs. Duration: 16 min Year: 2021 Genre : Fiction Director : Caroline Brami and Frédéric Bas Screenplay : Caroline Brami and Frédéric Bas Image : Martin Rit Sound : Stéphane Gessat, Olivier Voisin, Victor Praud Editing : Nicolas Sburlati Production : GoGoGo Films & De Films en Aiguille International seller : Origine Films Broadcaster : France 3 Financing : France 3, CNC financial contribution, Paris City Hall in partnership with the CNC, Foundation for the Memory of the Shoah, Adami GALERIE SYNOPSIS Synopsis Julia, an experienced history teacher in a rather quiet high school, faces a school inspector. He wants to talk to her. But what about, exactly? Her heated debates with the principal? The freedom she takes with the school program? Or the way she teaches the Shoah? Caroline Brami Frédéric BAS Frederic BAS Frédéric Bas teaches History and Geography in a secondary school in the 19th arrondissement of Paris. He has made various radio (France Culture) and film (France 5, Arte) documentaries. He is currently directing a series of movies for Face à l’histoire (facing history), the historical program on the cinephile website of Arte, Blow Up Caroline BRAMI Caroline Brami - a French literature professor in a Paris high-school - nowadays divides her time between teaching and creative writing (whether for the movie or music industry) after a collaboration with French cultural magazine “Les Inrockuptibles”in the nineties. She is also a part-time lecturer at Sorbonne university.

Menu OUR TURN! TRAILER Hanna ASSOULINE PRESS REVIEW Fiche technique Technical specs. Duration : 52 min Year : 2020 Genre: Documentary Director : Hanna Assouline Screenplay : Hanna Assouline Photography : Olivier Duval et Mickaël Sultan Sound : Julien Bacquart / Thibault Clerc / Yannis Do Couto / Magali Gillon Editor : Pauline Casalis Productions : GoGoGo Films & Chaï Chaï Films Co-production : France 3 Pays de la Loire Broadcaster : France 3 Pays de la Loire, Public Sénat Financing : France 3 Pays de la loire, Public Sénat, Procirep Synopsis In a context where they are constantly opposed, a group of young Jews and Arabs in their twenties are mobilizing to overcome divisions and change mentalities. On the roads of France, they set off together to meet their fellow citizens to approach without filters all the subjects that anger and renew the dialogue. SYNOPSIS GALERIE BANDE ANNONCE Hanna Assouline Hanna ASSOULINE After a bachelor's in History (Sociology and History of Africa), she did a Master 1 at ESJ, specializing in audiovisual media. She has participated in numerous projects within the First Lines production box and has been an investigator for the program Cash Investigation. In 2017, she worked as a Special Envoy on the attacks of November 13. She collaborated with Georges-Marc Benhamou and Michael Prazan on a documentary project on anti-Semitism in France. She is the autor and director of a documentary film on a movement of Israeli and Palestinian women: Les Guerrières de la Paix broadcast in May 2019 on PUBLIC SENATE and LCP, and awarded with the Special Mention of the Jury at FIGRA 2019.

BEHIND THE SUN Dhia JERBI IN PRODUCTION Synopsis “Tunisia. A word I have trouble articulating, when I want to tell it to my son.” Dhia, 29 years old, left Tunisia after having taken part in the Revolution. Exiled to France, he’s worried about transmitting his stuttering to Elia, his two year old son. Soon, the issue isn’t managing a fluent speech so much as figuring how to talk to Elia about Tunisia. Technical specs Duration : 1h20 Year : 2021 Genre : D ocumentary Director : Dhia Jerbi Screenplay : Dhia Jerbi et Aude Thuries Production : GoGoGo Films - La société du sensible Co-production : Henia Production Financing : Région Auvergne-Rhône-Alpes, Région Provence-Alpes-Côte d’Azur, Aide à la coproduction franco-tunisienne CNC – CNCI, Lauréat de la bourse documentaire Jean-Luc Lagardère, lauréat du prix Robert Bosch Stiftung, résidence Sud écriture, forum de coproduction Millenium. Dhia JERBI Dhia Jerbi est un cinéaste Tunisien, né en 1991 aux Emirats Arabes Unis, où il a grandi. Il est rentré en Tunisie en 2003. Après son baccalauréat et un an dans une école d’ingénieurs, il a changé d’orientation et s’est inscrit à l’Institut Supérieur d’Art Multimédia de la Mannouba (Tunis) où il a obtenu une licence en réalisation et écriture cinématographique. A l’ISAMM il a réalisé plusieurs films d’école, notamment Marhouja. Il est ensuite parti en France pour s’inscrire à l’Ecole documentaire de Lussas où il a réalisé trois films dont Au pays des oranges tristes. Le documentaire et la fiction s’entremêlent souvent dans ses films. Réal

Menu BEING A FATHER TRAILER Delphine LANSON PRESS REVIEW Technical specs Duration : 1h20 Year : 2013 Genre : D ocumentary Director : Delphine Lanson Screenplay by : Delphine Lanson Photography : Delphine Lanson Sound : Delphine Lanson Editor : Anne Klotz Production : De films en aiguille Broadcaster : De films en aiguille (France) ​ ​ Synopsis Synopsis Bound by a civil partnership for 13 years, Jérôme and François have been speaking about their desire to have a child since the beginning of their relationship. After an extremely challenging amount of paperwork that has led them from adoption to mere coparentality, they had almost given up any hope of founding a family when they saw, two years ago, a documentary on surrogate mothers. Ever since that day, they regained hope and decided to go back to their quest of fatherhood. Bande annonce GALERIE Réal Delphine LANSON Born in Paris, Delphine moved to London at an early age to seek a multidisciplinary education. She graduates with a degree from the London and International School of Acting, and has been leading ever since a career of actress, writer and stage director. In theaters as well as in cinemas, she acts in a wide range of registers, from Shakespear to spy movies. Having played in England, in the United States and in France, she notably worked with artists such as Michael Lonsdale, Denis Lavant, Matt Damon or Miou Miou. In addition to her career, Delphine also commits to charity by going to Bangladesh with the association Clowns Without Borders. She takes her first steps as a movie director when she creates “Décroche”. She has since directed three shorts and three movie ads. She acquired a residence at the Napoule Castle, and a writing aid from the PACA region in order to write “Quelqu’un frappe à la porte !” (“Someone’s knocking at the door !”). “Naître Père” is her first feature film. Press Trois Couleurs "Born as a Father, which tenderly follows nine months of waiting, comes at the right time to give grist to the current debates". Noémie Luciani, Le Monde ​ "An indispensable film to enrich and temper the debates of the moment". Nouvel Obs ​ "The chronicle of an obstacle course full of shared affection, filmed with great discretion and sensitivity". Têtu ​ "An intimate, strong, delicate road movie".