SEA GRAVES | Documentary (2025) | Hector Boudot | In Essaouira, a Catholic cemetery borders the ocean. Diakaté, Augustin, and Pierre are there to maintain and clear sand from these old colonial graves. They take care of the graves of Westerners who came to die in Morocco. They are themselves strangers to this land. Coming from Guinea and Senegal, each finds himself prevented from continuing his migratory journey, condemned to remain in this place of death, enclosed by large white walls. Menu Synopsis In Essaouira, a Catholic cemetery borders the ocean. Diakaté, Augustin, and Pierre are there to maintain and clear sand from these old colonial graves. They take care of the graves of Westerners who came to die in Morocco. They are themselves strangers to this land. Coming from Guinea and Senegal, each finds himself prevented from continuing his migratory journey, condemned to remain in this place of death, enclosed by large white walls. Technical specs Length : 33 min Year : 2019 Genre : documentary Director : Hector Boudot Screeplay : Hector Boudot Editing : Sarah Zaanoun Sound editing : Lenny Moreau Production : GoGoGo Films Broadcaster : Maritima Medias Financing : MED IN DOC / Sud Region / Maritima Médias / National Center for Cinema and the Moving Image (CNC) - FAIA Writing and development assistance / Sud Region – Writing assistance / PROCIREP – ANGOA SEA Graves Hector BOUDOT GALERIE BANDE ANNONCE

VIVRE LA FORÊT | À NOTRE TOUR! | LE PROCÈS D'EMMA BOVARY | LES NAZIS ET L' ARGENT | EN BLOUSE | LES BOXEUSES | LISIÈRE | LE POINT DE ROSÉE | LES JOURS MAUDITS | QUE JE MEURS THE CARPET BOMBING STRATEGY Gil RABIER A STRANGER BESIDE ME Julien GAURICHON and Frédéric BAS BLOOD MONEY: INSIDE THE SOVIET ECONOMY Gil RABIER TRUMAN CAPOTE & THE MURDER OF HOLCOMB Julien GAURICHON and Frédéric BAS SHELTER Eva Tourrent OUR TURN Hanna HASSOULINE LE POINT DE ROSÉE Nadège ABADIE THAT I DIE Fanny CORCELLE & Juliette GUIGNARD CURSED DAY Artem IURCHENKO LIVE THE FOREST Alexis & Jérémie LOPEZ NAZIS AND MONEY Gil RABIER LE PROCÈS D'EMMA BOVARY Audrey GORDON FIRST VOTE Étienne CHAILLOU Menu

GHOST SONG | Nicolas Peduzzi | Documentary (2021) | Houston, Texas. A hurricane makes its way, ready to consume people and dreams alike. Menu Menu GHOST SONG Nicolas PEDUZZI SCAM Star Awards I ACID Cannes 2021 Opening I Lussas Documentary Film General Assembly I Bogota Festival I Seville Festival I FIFIB International Independent Film Festival of Bordeaux I Sarlat Film Festival Official selections Synopsis Houston, Texas. A hurricane is brewing, ready to devour both people and dreams. Rapper Alex, an ex-gang leader, skirts the walls to avoid reprisals and bury her best friend. Will and Nate, wandering souls from wealthy neighborhoods, struggle with their addictions and family demons. From this ambient jinx emerges their symphony. Duration: 1h16 Year: 2021 Genre : Documentary Implementation : Nicolas Peduzzi Writing: Nicolas Peduzzi in collaboration with Aude Thuries and Léon Chatiliez Image: Laetitia de Montalembert, Francesco di Pierro, Nicolas Peduzzi Sound: Léon Chatiliez, Maxime Berland, Romain Ozanne Original music: Jimmy Whoo Production: GoGoGo Films Distributor: Alchemists Films International Seller: MPM Premium Broadcaster: VICE Funding: FIDLAB 2018 winner I Paris Doc "work in progress" 2020 I Nouvelle Aquitaine Film Work-Out I CNC - assistant after filmmaking Technical specs

L'ÂGE D'OR | Béranger THOUIN | Fiction (2021) Jeanne is brought by a group of rebels to the place she is to be executed. During this road to her death, she thinks about the capricious fate which led her to this situation. Menu Belleville Beats Hugo SOBELMAN Official selection Festival International du Film Indépendant de Bordeaux Synopsis At night, Matthieu, Solo, Kany, and their crew gather at La Perm’, a community space at the foot of Belleville Park, to debate, create, and build a collective. Facing the changes in their childhood neighborhood, La Perm’ becomes a refuge and a shared space of resistance. Ahead: Belleville en Vrai, the festival where everything they’ve sown can finally bloom. Technical specs Length : 1h27 Year : 2025 Genre : Documentary Director : Hugo Sobelman Screenwriter : Hugo Sobelman Editing: Muriel Breton Sound : Mikaël Kandelman Production : GoGoGo Films - Petit à petit Production Produced by: Carinę Ruszniewski and Rebecca Houzel Co-production : Mauvaises Herbes F unding: Canal + I Ciné + I Ile-de-France region I Canal+ Inter I CNC- Production assistance after filmmaking

CHILDREN'S TIME | Eve-Chems de Brouwer | Fiction (2022) | A close bond unites Tallulah with the children she looks after every evening after school. One day, a tragic event places a heavy responsibility on her. Menu Official selections Boden International Film Festival I Lulea International Film Festival I Valencia Indie Film Festival I Lisboa Indie Film Festival I SMR13 International Independent Film Festival Synopsis Tallulah has a close bond with the children she looks after every evening when school is over. One day, a tragic event throws a heavy responsibility on her shoulders. Technical specs Duration : 11 min Year : 2022 Genre: Fiction Director : Eve-Chems de Brouwer Screenplay : Eve-Chems de Brouwer Casting : Tallulah Cassavetti I Mona Behr I Leïl Behr Production: GoGoGo Films In partnership with : Carpentras fait son ciném CHILDREN'S TIme Ève-Chems de BROUWER

PAY FOR YOUR DEATHS | Short film documentary (2025) | Carine Ruszniewski | Delving into family stories comes at a cost. Like entering the Jewish cemetery in Warsaw. While searching for an ancestor's grave, the Ruzniewski family gets lost in the maze of its disordered paths - just as they do in the labyrinth of family memories. Menu Synopsis Delving into family stories comes at a cost. Like entering the Jewish cemetery in Warsaw. While searching for an ancestor's grave, the Ruzniewski family gets lost in the maze of its disordered paths - just as they do in the labyrinth of family memories. Technical specs Length : 14 min Year : 2025 Genre : documentary Director : Carine Ruszniewski Screeplay : Carine Ruszniewski Editing : Nicolas Sburlati Sound editing : Claire Berriet Production : GoGoGo Films PAY FOR YOUR DEAD Carine RUSZNIEWSKI

I SHOULD HAVE KILLED MY FATHER | Nicolas Peduzzi | Documentary I 025. Houston, a Democratic stronghold in Republican Texas, stands at the twilight of a new era. Fiche technique I SHOULD HAVE KILLED MY FATHER Nicolas PEDUZZI IN PRODUCTION Synopsis 2025. Houston, a Democratic stronghold in Republican Texas, stands at the twilight of a new era. David, the heir to a dynasty of oil magnates, is determined to restore order to the city that allowed a human trafficking cartel to abduct his only daughter. Meanwhile, in the shadows of the oil refineries, resistance is taking shape as best it can. A young woman joins the ranks of outcasts and misfits, gathered around a rapper with mystical overtones. Technical specs Duration : 9 0 min Year : 2025 Genre: Documentary Director : Nicolas Peduzzi Screenplay : Nicolas Peduzzi Production : GoGoGo Films Co-production : ARTE France Financing : ARTE France I PROCIREP ANGOA

BÈGUE | Documentary (2019) | Olivier Duval | I am a stammerer. Everyday, I document my half tragic, half comic attempts to gain some fluidity. Menu Creation Award at Festival Traces de vies / Documentary Jury Award at Festival Silhouette Corsica doc / Coté court / Campus Film Festival Official selections Synopsis I am a stammerer. Everyday, I document my half tragic, half comic attempts to gain some fluidity. With my family, in my relationships, with strangers, all around me, the world stutters and me with it. By investigating the causes of this unfortunate relationship with speech, I dive into the large knowledge about stammering, explore my own throat, my brain, my family history, and experiment so many different ways of being, to try and become someone else. A burlesque journey, in which being “fluid” may mean accepting one’s blockages. Technical specs Duration : 33 min Year : 2019 Genre : documentary Director : Olivier Duval Screeplay : Olivier Duval et Anne Paschetta Phototgraphy : Arnaud Alain et Olivier Duval Sound : Yannis Do Couto, Nicolas Mas, Dorian Racine Editor : Bénédicte Cazauran, Olivier Duval, Catherine Zins Production : GoGoGo Films Broadcaster : Tënk Financing : Les Ecrans du Social, CICLIC, CNC (aide avant réalisation) STUTTERER Olivier DUVAL GALERIE BANDE ANNONCE

L'ÉTINCELLE | Clotilde Nogues | Documentary (2025) | L'ÉTINCELLE Clotide NOGUES I N DEVELOPMENT Synopsis On September 1, 1969, Gabrielle Russier, a 32-year-old literature teacher, committed suicide in her apartment in the northern districts of Marseille. She had been arrested, imprisoned, and tried for having a romantic relationship with one of her students, Christian Rossi, who was 17 at the time. Gabrielle emerged from obscurity the day after her death. What had been a minor news item in local newspapers for several weeks became a major social debate. Gabrielle was my grandmother. Technical specs Duration : 52 min Year : 2025 Genre : documentary Director : Clotilde Nogues Screenwriting : Clotilde Nogues and Anne Paschetta Production : GoGoGo Films Financing : South Region - screenwriting assistance

NAÎTRE PÈRE | Delphine Lanson | Documentary (2013) | Bound by a civil partnership for 13 years, Jérôme and François have been speaking about their desire to have a child since the beginning of their relationship. Menu FATHER's birth Delphine LANSON Mostra Internacional de cinema - Barcelona Gay and Lesbian Festival I Salt Lake City Film Festival Official selections Synopsis Bound by a civil partnership for 13 years, Jérôme and François have been speaking about their desire to have a child since the beginning of their relationship. After an extremely challenging amount of paperwork that has led them from adoption to mere coparentality, they had almost given up any hope of founding a family when they saw, two years ago, a documentary on surrogate mothers. Ever since that day, they regained hope and decided to go back to their quest of fatherhood. Technical specs Duration : 1h20 Year : 2013 Genre : D ocumentary Director : Delphine Lanson Screenplay by : Delphine Lanson Photography : Delphine Lanson Sound : Delphine Lanson Editor : Anne Klotz Production : De films en aiguille Broadcaster : De films en aiguille (France) Bande annonce GALERIE

LES JOURS MAUDITS | Artem IURCHENKO | Documentary (2018) 2014, in Ukraine. In the city-centre of Kiev, protected from the outside world, this is where Vladimir devotes himself to teaching precise lines, in between cups of coffee. CURSED DAYS Artem IURCHENKO Official selections FIFB Bruxelles - Best Documentary I Visions du Réel I État Généraux du film documentaire I Gindou Cinéma I Traces de vies I Festival luttes et résistances I LIFF Lebanese Independent Film Festival Synopsis An engraving workshop in downtown Kiev: books on Jerome Bosch, animal skulls and impressive engravings illustrating Bulgakov, the Second World War or Chernobyl. Although the studio appears to be a hermetically sealed bubble frozen in time, the civil war can be heard through the television screen. Over the course of a few months, while a new print inspired by the Maïdan conflict is being composed, prints and television images animate a dialogue between the artist and the young director, shedding light on the construction of Ukrainian identity. Like dreams, the engravings gradually come to life, revealing the work of history on the imaginary and the intimate. Technical specs. Duration : 1h12 Year : 2018 Genre: Documentary Director : Artem Iurchenko Screenplay : Artem Iurchenko Editor : Charlotte Tourrès Photography : Artem Iurchenko Sound : Artem Iurchenko Production: GoGoGo Films (De Films en Aiguille) & Survivance Co-production: Vosges TV Broadcaster : Tënk Financing : Ardèche Images I CNC I PROCIREP-ANGOA GALERIE

DERRIÈRE LE SOLEIL | Dhia Jerbi | Documentary (2021) | “Tunisia. A word I have trouble articulating, when I want to tell it to my son.” BEHIND THE SUN Dhia JERBI Official selections Visions of Reality 2024 I Istanbul Film Festival I Aflam Festival I Noisy-le-Sec Franco-Arab Film Festival I Carthage Film Festival I FESPACO I Melbourne Documentary Film Festival I Human Screen Festival Synopsis “Tunisia. A word I have trouble articulating, when I want to tell it to my son.” Dhia, 29 years old, left Tunisia after having taken part in the Revolution. Exiled to France, he’s worried about transmitting his stuttering to Elia, his two year old son. Soon, the issue isn’t managing a fluent speech so much as figuring how to talk to Elia about Tunisia. Technical specs Duration : 1h20 Year : 2021 Genre : D ocumentary Director : Dhia Jerbi Screenplay : Dhia Jerbi et Aude Thuries Production : GoGoGo Films - La société du sensible Co-production : Henia Production Financing : Auvergne-Rhône-Alpes Region I Sud Region I CNC - Franco-Tunisian co-production grant iI Winner of the Jean-Luc Lagardère documentary grant I Winner of the Robert Bosch Stiftung prize I Sud écriture residency I Millenium co-production forum.